CHP12: The Indian Animation Shows And The CopyCats!

 

CHAPTER 12

 THE COPY OF A COPY

 AND WHY WE STRUGGLE?

 “Good artists copy, Great artists steal.”

 ― PABLO PICASSO

 Let’s get honest here; it’s no more a mystery to us that when art is created, it is usually inspired by something that has already been done. Even the lights of Michelangelo, Van Gough and Walt Disney were influenced by their predecessors and spent their early years recreating the same old work.

No one is spared by the temptation of plagiarism, as many of us don’t want to spend the time, effort, and money required in reinventing the wheel.

the hero's journey
Pic Courtesy: Amazon

And the same goes when it comes to the art of storytelling. Yes, although the style, genre, message in every story we witness seems different at face value. But at the core, they all follow the same basic structure that has been laid down brilliantly by a widely respected philosopher and theologist Joseph Cambell in his book “A hero with thousand faces.”

In this masterwork, Campell illustrates the hero’s journey, how the hero or the protagonist goes from the ordinary world into a region of supernatural powers and out of his comfort zone.

Where he or she encounters fabulous forces, and after a life-altering battle, gains the victory. The hero then comes back from this spiritual adventure as a changed person with the power to bestow boons on the society at large.

hero's journey
Pic Courtesy: Google

This hero’s journey is a pattern you will see even in all the mythologies of the world, and nothing has been changed since the dawn of storytelling due to its soul-satisfying structure that we all crave emotionally and spiritually.

And when it comes to the story structure of Indian Animation shows, it isn’t surprising to see this same rhythm and balance been utilized frequently. But, the main issue with Indian Animation and especially TV shows, isn’t the use of the hero’s journey. Instead, it is following the same style, genre, and message.

Yes, every show looks the same with just a little tweak in the personality of the main characters.

All the popular indian animation shows have this ten-year-old, super-powerful male protagonist assisted by a smart female friend, a fanboy side-kick, and a goofy animal.

And most of the time, these characters are the epitome of perfection and moral values and are usually mature way beyond their current age.

In a typical episode, they will battle the outside forces using their quirks and wits and, more importantly, without making any mistakes or doing something that an average ten-year-old kid will do.

And that’s completely fine at a level because these shows are carrying the responsibilities of grooming the future generation and surely wants to play safe to avoid any complaints from parents.

But the basic formula of all these superheroic shows are so similar that from a viewer’s perspective, it gets dull and monotonous, and it feels like we are watching the same show just with different looking kids.

Yes, If I take the hero of one show and put it in another, nothing will change. And that’s poor storytelling and world-building, and such shows will never be able to impress the mature audiences.

Because the problems and obstacles should be uniquely limited to the characters of the particular world to make the viewer’s switch on your channel and get submerged into your realm.

For example, If I’ll put Batman against Green Goblin, he will fight the antagonist way different than Spiderman will do, or even Superman will do.

the indian animation shows
Pic Courtesy: Google

And that’s precisely the reason we would be excited to witness such a cross over as each of these characters uses their abilities in their own style, rhythm, and pace to tackle the evil in front of them.

Best Indian cartoons
Pic courtesy: Reliance Animation

But if I take Little Singham and put him against any of the villains of Chhota Bheem, I don’t expect any different approach from the protagonist. And even the antagonist need not worry about altering their plans because both the heroes are almost identical in their strength and, of course, no weaknesses. Same goes for Kisna, Arjun the Prince Warrior, and even Motu Patlu followed the same pattern after a point.

But I know what everyone must be wondering; despite being a copy of a copy, our kids are hooked on the Tv screen and adore these characters more than anything.

Well, the reason behind it is because they are not exposed to other things yet and are forced to consume these products with no or limited choices.

One of the main factors most of us who grew up in the 90’s aren’t a big fan of our domestic shows is because we have seen productions that are highly creative and technically strong. Thus we can immediately identify the difference and express our opinions for it.

And this factor isn’t limited to our cartoon shows and kids, in recent times this phenomenon can be seen in movies as well, due to the availability of the better quality product provided by international media through streaming services and theater releases.

We have have been witnessing that a significant number of people have been raising their voices against Bollywood films and asking the creators to raise their standards as well.

Similarly, once our kids explore the different creative shows, they tend to move on like everyone else.

But to be honest, we don’t want the kids to move on. We want them to cherish our local heroes forever in their memories and hearts and look at them as inspiration to deal with the issues and problems life throws at them that are unique according to a person’s circumstances and experiences.

And to do that, we need to give our heroes their unique style, strength, world, and, most importantly, the weaknesses.  And to do so, we need to steal from history and learn how the shows that left such an impact on the minds of a generation manages to embrace their identity in the world full of a copy of a copy.

 

(Imp Note: This is one of the reasons behind the struggles of Indian Animation. In my blog series, “The Faults In Our Art! We will explore multiple factors that are keeping Indian animation behind. So I request you to please support my initiative by subscribing to my website by filling the form below)

The Snyder Cut: And The Vision Of An Artist!

Justice League Poster

So finally, after years of constant demand and protest on social media by DC fans around the globe, “The Snyder Cut Justice League” is out. And fortunately, this version has managed to undo the damage caused by the theatrical release in 2017. A film that caused more grief to our heroes than all the villains combined in the history of the DC universe. But now, the Synder Cut has lifted the burden from the shoulders of our esteemed protagonists and cleared the stain caused on their characters.

But in this article, we are not going to compare the two films as the reviews are out, and everyone can clearly see the impact it has been creating since it went online. Audiences and critics alike are showering praises on this new 2021 release, and everyone seems to feel a sense of relief as all the hard work has been finally paid off. So instead, we will emphasize an essential aspect of any art form that needs to be cherished by those around the creator, and that is “The Vision of An Artist.”

So much has been written and said about Zack Synder’s fallout with Warner Bros and how he was constantly interrupted by the management to alter things according to their terms and conditions. And I am not even stating on Joss Whedon’s arrival but things that were happening way before Zack decided to walk away. Initially, everyone was on the impression that Snyder left the project due to the unfortunate demise of his lovely daughter. But recently, he admitted in interviews that he was at loggerhead with producers almost from day one. But my question is, WHY?

Yes! Why do people who are supposed to oversee the finance, amenities,
standards, practices, etc., exhibit the need to interfere between the artist and his vision? Sure I agree that they have the best intention to make the product marketable and keep it out of any trouble. But why would someone who has no creative background feel the need to pierce their creative perspective into a vision of someone who has already proved their abilities to heighten the audiences’ experience through their take on things?

But this isn’t the first time such a thing has happened and probably won’t be last as most artists deal with it all the time since the dawn of professional artistry. We have been programmed to believe that customer is king or client is always right, because of which most artists have no choice but to compromise on their artistic values and alter their approach towards the work. I understand that many won’t have any issues with it as in the end, our motto is to make the clients delighted.

But my question is, shall the same principles need to be applied to an artwork meant to be made by larger audiences than a specific client?. Because in this case, the end client is the audience and not executives sitting across the board. Sure, an artist isn’t going to deliver a masterpiece every time they paint the canvas. But at least they have the in-depth knowledge of shades of their work and knows how to get the best out of it, especially if they have a proven track record.

Executive and Producer’s inputs are vital and need to consider respectfully as a lot is at stake with such a big-budget project. But at the same time, they need to respect the artist’s vision as well and give them the creative freedom required to make a better commodity. Imagine if the artist starts taking a call on the finances and what if it justifies the need to show blood in a kids movie. I am sure he will be immediately shown the way out cause of obvious reasons.

Just like that, non-creatives shall not be liable to decide which scenes are suitable in the context of the story and which ones shall be axed as long as it follows the norms of standards and practices. Like it happened with Batman and Joker’s Knightmare scene as the studio wasn’t pleased with its inclusion. On the other hand, Snyder precisely knew why he needs that iconic moment in the narrative of this epic mythology. And guess what, it turned out to be the most talked-about aspect of the whole Justice League Saga.

And this is just one instance; there are many such incidents where the artists were not given the creative liberty to pursue their vision, which eventually blinded the whole project. A couple of such examples are Edger Wright’s departure from Ant-Man and Patty Jenkins, quitting the much-maligned Marvel sequel Thor: The Dark World, all due to the classic “Creative differences” melodrama. Sure, some decisions work in favor of the studio, but in-case an artist goes away in the middle of the project, it gets way complicated for the other person to fill the shoe as it happened with Justice League.

The authorities need to understand that art can’t be commerce-driven but needs to be molded with feelings and emotions. That’s what separates it from the business. That’s what makes these fictional characters so relatable despite their superhuman persona. That’s what the superhero genre has become so vast and integral part of our pop culture because few artists created them with all the love and affection, away from the greed and need to make it market-friendly.

And it is always going to stay that way when it comes to art and the artist’s passion for their craft. No money, no strategy, no market can replicate that, and it’s high time to realize this essential truth of creative endeavors, which is once again proven by Zack Snyder.

Zack Snyder

“The Synder Cut is just not a directorial take on a film, but it’s a huge statement made by an artist struggling to get things done by his vision. It’s a revolutionary moment in the history of any art form that demands to break the shackles tied around artists’ wrists. It’s vivid evidence of what could happen if the original creator has been given the freedom to follow his or her heart, all for the sake of making an inspiring art. Think About It!”

Do you agree with this article, do share your perspective in the comment section below.  Also, do read my take on similar struggles faced by Indian artists in the section “THE FAULTS IN OUR ARTS!