CHAPTER 13

THE WOMEN POWER

AND WHY DO WE STRUGGLE?

“I love to see a young girl go out and grab the world by the lapels. Life’s a bitch. You’ve got to go out and kick ass.”

― MAYA ANGELOU

The world is going through a revolution. A revolution where women are carving their way in the male-dominated society and striving for the position they truly deserve. A revolution where women have realized their significant role in our culture and are willing to give it all for their honor. A revolution where women have already proven their worth and continue to fly high in all aspects of their lives, whether politics, business, or art.

But their journey has never been easy. Even in a progressive society like the USA, they have to earn their way up despite the obvious. And the struggle in developing society has been a lot more critical.

Women have been obtaining unimaginable since the dawn of humanity, no matter how difficult the circumstances are. They have scaled the highest mountain, traversed the boundless ocean, and endured in the severest condition.

But these herculean tasks turned out to be way more manageable than breaking the conventional barriers and changing the ideology of their male counterparts towards women. This is an effective campaign all women, in general, have been battling with, especially in a country like India.

In India, women are constantly looking for a way to switch the sexist mentality of our conservative society and have been marginally successful in their quest for equality. Numerous feminist movements and ideologies have developed over the years and represent different viewpoints and aims.

But the only dilemma is, despite the best of their effort, a large section of our society remains abusive towards women’s role in our community. And suppose women want to establish a new mindset towards them. In that case, they should start concentrating on one of the most blatant and primary factors that generate such discriminative views about womanhood. And that medium is “ANIMATION.”

Cartoons are the first thing most of the kids are exposed to that assist them in shaping their personality and views towards their surroundings.

In recent times, various restrictions and censorship have been imposed on this genre due to its effect on the child’s brain. Psychologists have highlighted the adverse impacts of cartoons on children.

According to their outcomes, kids who watch cartoons 3-4 hours a day are predisposed to violence and other aggressive acts. Moreover, marginalization of cognitive functions, deviation from realities, and expansion of pessimistic behavior might emerge over time. They gain the capability to mimic behavior and events that they come across every day.

So, we can surely say that innocent characters from cartoons may turn into role models that impact a child’s psychological state about our lives, society, and elements associated with it.

And this is a significant concern because we are unable to recognize how most of the cartoons lack a strong female protagonist, and the existing ones are commonly portrayed as backup characters with a cliched storyline of a princess in distress.

Sure, in many shows, they are the brain behind the group who always comes up with the ideas that support the lead hero in its battle against evil. But it’s still holding the conventional ideology on gender roles and stating that kicking and punching are only restricted to men and boys.

I understand that these characters are created with a general doctrine that the primary audiences for animated shows are little boys and won’t like to see a character they can’t relate to and have fun watching.

Although we don’t have the actual data for this common conception, and even for a moment, if we consider it accurate, the idea that boys won’t like to watch female leads taking over the evil and saving the day is utterly absurd.

Because I clearly remember as a kid, we boys used to be equally excited to watch a show of three little girls made of sugar, spice, and everything nice, spending their day kicking and punching villains. And that show was none other than “THE POWERPUFF GIRLS.”

It’s a show that carved its way in between the male-dominated characters like Dextre’s lab, Johny Bravo, Swat Kats, and many more and managed to break the repressive moral code of that time.

And to be honest, from the boy’s point of view, we were absolutely fine with that. I don’t remember anyone making fun of each other for watching a show with girls in the lead and used to discuss its action-packed episodes while proudly owning their T-shirts and punching societal expectations in their face.

The show’s high ratings, popularity, and high demand for merchandise show that if done right, kids do not discriminate against their role models based on gender, religion, or race. They just want to have fun watching their heroes saving the day.

But again, over here, it’s going to be a long time since we will be able to witness an all-female-oriented animated show as I don’t see any steps being taken towards it.

And I am not sure if anyone will be remotely interested in taking that chance. I remember pitching a concept about a fairy to a big animation brand, and I was asked to change the main female character to a male figure.

However, I refused to do so, not only because the storyline demanded the lead hero to be a female as it is a fairy tale. But also because that was the primary concern for me as there is no feminine hero for half the population of this country.

Yes, with so many superheroes and male leads, there is an apparent absence of female figures who can serve the children to understand the essence of equality right from an early age.

If such trends persist, boys and men will continue to view womanhood as a secondary lead who continually needs to be rescued, when the fact is, just like men, women possess the ultimate capability to protect our civilization and take it farther.

And Indian animation desperately needs a symbol of feminism, which has the power to break the norms and generate an advanced, more forward opinion towards all genders, whether it’s female or LGBT groups.

So the time has come to fix the basics and build a solid foundation by teaching the importance of equality to our children, right from inception. The time has come to raise our voices against such behavior and demand equal exposure by all means. And the time has come to make your presence felt by eliminating the perception that only boys-oriented shows can generate revenue in this art form.

If our children grow with a notion that women can save the world as well, this will transcend into a more robust belief system taking our society towards enlightenment.

But any intentions should not be forced on our kids but needs to be developed through a friendly mechanism. And what can be a better medium than animation? THINK ABOUT IT!

(Imp Note: This is one of the reasons behind the struggles of Indian Animation. In my blog series, “The Faults In Our Art! We will explore ten major factors that are keeping Indian animation behind. So I request you to please support my initiative by subscribing to my website by filling out the form below)

CHAPTER 12

THE COPY OF A COPY

AND WHY WE STRUGGLE?

“Good artists copy, Great artists steal.”

― PABLO PICASSO

Let’s get honest here; it’s no more a mystery to us that when art is created, it is usually inspired by something that has already been done. Even the lights of Michelangelo, Van Gough and Walt Disney were influenced by their predecessors and spent their early years recreating the same old work.

No one is spared by the temptation of plagiarism, as many of us don’t want to spend the time, effort, and money required in reinventing the wheel.

And the same goes when it comes to the art of storytelling. Yes, although the style, genre, message in every story we witness seems different at face value. But at the core, they all follow the same basic structure that has been laid down brilliantly by a widely respected philosopher and theologist “Joseph Cambell“ in his book “A hero with thousand faces.”

In this masterwork, Campell illustrates the hero’s journey, how the hero or the protagonist goes from the ordinary world into a region of supernatural powers and out of his comfort zone.

Where he or she encounters fabulous forces, and after a life-altering battle, gains the victory. The hero then comes back from this spiritual adventure as a changed person with the power to bestow boons on the society at large.

This hero’s journey is a pattern you will see even in all the mythologies of the world, and nothing has been changed since the dawn of storytelling due to its soul-satisfying structure that we all crave emotionally and spiritually.

And when it comes to the story structure of Indian Animation shows, it isn’t surprising to see this same rhythm and balance been utilized frequently. But, the main issue with Indian Animation and especially TV shows, isn’t the use of the hero’s journey. Instead, it is following the same style, genre, and message.

Yes, every show looks the same with just a little tweak in the personality of the main characters.

All the popular indian animation shows have this ten-year-old, super-powerful male protagonist assisted by a smart female friend, a fanboy side-kick, and a goofy animal.

And most of the time, these characters are the epitome of perfection and moral values and are usually mature way beyond their current age.

In a typical episode, they will battle the outside forces using their quirks and wits and, more importantly, without making any mistakes or doing something that an average ten-year-old kid will do.

And that’s completely fine at a level because these shows are carrying the responsibilities of grooming the future generation and surely wants to play safe to avoid any complaints from parents.

But the basic formula of all these superheroic shows are so similar that from a viewer’s perspective, it gets dull and monotonous, and it feels like we are watching the same show just with different looking kids.

Yes, If I take the hero of one show and put it in another, nothing will change. And that’s poor storytelling and world-building, and such shows will never be able to impress the mature audiences.

Because the problems and obstacles should be uniquely limited to the characters of the particular world to make the viewer’s switch on your channel and get submerged into your realm.

For example, If I’ll put Batman against Green Goblin, he will fight the antagonist way different than Spiderman will do, or even Superman will do.

the indian animation shows — Pic Courtesy: Google

And that’s precisely the reason we would be excited to witness such a cross over as each of these characters uses their abilities in their own style, rhythm, and pace to tackle the evil in front of them.

Best Indian cartoons — Pic courtesy: Reliance Animation

But if I take Little Singham and put him against any of the villains of Chhota Bheem, I don’t expect any different approach from the protagonist. And even the antagonist need not worry about altering their plans because both the heroes are almost identical in their strength and, of course, no weaknesses. Same goes for Kisna, Arjun the Prince Warrior, and even Motu Patlu followed the same pattern after a point.

But I know what everyone must be wondering; despite being a copy of a copy, our kids are hooked on the Tv screen and adore these characters more than anything.

Well, the reason behind it is because they are not exposed to other things yet and are forced to consume these products with no or limited choices.

One of the main factors most of us who grew up in the 90’s aren’t a big fan of our domestic shows is because we have seen productions that are highly creative and technically strong. Thus we can immediately identify the difference and express our opinions for it.

And this factor isn’t limited to our cartoon shows and kids, in recent times this phenomenon can be seen in movies as well, due to the availability of the better quality product provided by international media through streaming services and theater releases.

We have have been witnessing that a significant number of people have been raising their voices against Bollywood films and asking the creators to raise their standards as well.

Similarly, once our kids explore the different creative shows, they tend to move on like everyone else.

But to be honest, we don’t want the kids to move on. We want them to cherish our local heroes forever in their memories and hearts and look at them as inspiration to deal with the issues and problems life throws at them that are unique according to a person’s circumstances and experiences.

And to do that, we need to give our heroes their unique style, strength, world, and, most importantly, the weaknesses. And to do so, we need to steal from history and learn how the shows that left such an impact on the minds of a generation manages to embrace their identity in the world full of a copy of a copy.

(Imp Note: This is one of the reasons behind the struggles of Indian Animation. In my blog series, “The Faults In Our Art! We will explore multiple factors that are keeping Indian animation behind. So I request you to please support my initiative by subscribing to my website by filling the form below)

Tag: Indian Animation Shows

CHP 13: The Women Power

CHP12: The Indian Animation Shows And The CopyCats!

All the popular indian animation shows have this ten-year-old, super-powerful male protagonist assisted by a smart female friend, a fanboy side-kick, and a goofy animal.